Many drew comparisons between “On the Floor” and another party song by another Latin artist. I wanted it to be very me, but I wanted it to be me not from my first album or my second album, but for today.” “It’s not something that you hear and you’re like, ‘That’s not her,’ but you also go, ‘Is that her? I like that.
“It feels like me today, which I like,” she said at the time. In a radio interview with New York’s WKTU, Lopez explained that with “On the Floor,” she wanted to show that she can easily take on whatever sound is popular at the moment and make it her own. In the early 2010s, as electronic music began to grow in popularity, heavy production played a bigger part in songs’ success, and high-energy choruses that invite listeners to dance became all the rage. Lo saw it as an opportunity to show how she’s reinvented herself more than a decade into her career.īecause of the fast-moving nature of the music world, many artists find themselves having to adapt to the current landscape and show audiences that they can do so while still maintaining what made people love them in the first place. 3 in March of that year, just a few weeks after “On the Floor” came out. It made its debut on the World Digital Songs chart at No. As a result, “Lambada” reappeared on the Billboard charts more than 20 years after its global domination. 3 spot on the Billboard Hot 100 in May of 2011 (along with dozens of top 5 chart appearances around the world). The sample in “On the Floor” led “Lambada” to re-emerge on the Billboard charts more than two decades after its release. Lo, other contemporary Latin artists such as Don Omar and Wisin & Yandel have interpolated parts of “Llorando se fue” and “Lambada” in their own music. This is the basis of “On the Floor’s” melody, and it comes from French-Brazilian pop group Kaoma ’s 1988 song “Lambada,” a global hit that went on to top Billboard ’s Hot Latin Songs chart in March of 1990 and sold more than 5 million copies worldwide.Īt the time, “Lambada” was just one of more than a dozen covers released throughout the ’80s of “Llorando se fue,” a popular 1981 tune by Bolivian folk band Los Kjarkas.
Jackie Cox acknowledged the instrumentation in “On the Floor” in the first seconds of her final lip sync, gesturing as if she were playing an accordion and getting a chuckle out of Ross Mathews in the process. The chorus is built on a sample from a 1988 Brazilian hit, which sampled another popular song.
Read up on a few fun facts you might’ve not known about J. Given RuPaul’s Drag Race Live! ’s (pre-pandemic) dominance of the Las Vegas Strip, it was a fitting choice to honor an icon who has her own legacy in Vegas with a lip sync to one of her most successful songs. Be sure to use the corresponding hashtags for your pick to win: #TeamJaida, #TeamCrystal, or #TeamGigi. With less than two weeks to go until season 12’s unprecedented virtual finale, it’s still anyone’s game at this point, and each of the final three queens are sure to make a strong case for why they should be crowned America’s Next Drag Superstar. Why Hayley Kiyoko Thinks Her 'Celebrity Drag Race' Transformation Changed Her For Good
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